Meet the Speakers
Rachel Churner is the director of the Carolee Schneemann Foundation. She is also an art critic and editor, whose writings have appeared in Artforum and October magazine, among other publications. She was a recipient of The Andy Warhol Foundation Arts Writers Grant in 2018 and was the editor of Hans Haacke (MIT Press, 2015), two volumes of writings by film historian Annette Michelson (MIT Press, 2017 and 2020), and Yvonne Rainer: Revisions (no place press, 2020), as well as books and exhibition catalogues on Jaime Davidovich, James Ensor, and Charlotte Posenenske. She owned and operated Churner and Churner, a contemporary art gallery in New York, from 2011–2014. Churner holds degrees in Art History from Stanford University and Columbia University and currently teaches in the Department of Visual Studies at the Eugene Lang College of Liberal Arts at the New School.
Cathy Wade is an artist and writer who investigates how practice can be created and distributed in collaborative partnerships and through the creation of commons. Their work seeks to understand the experience of contemporary conditions through exchange with others. They are course leader for MA in Arts Education Practices at BCU; and are currently curating new work with artist Hannah Sawtell at Vivid Projects alongside facilitating Black Hole Club, Vivid Projects’ artist development programme.
Lotte Johnson is a curator at Barbican Art Gallery, London, where she is curating the forthcoming retrospective Carolee Schneemann: Body Politics, opening in September 2022. Her work as a curator, writer and art historian focuses on interdisciplinary artistic expressions, feminist practices and transcultural dialogues, with a particular interest in performance. At the Barbican, she has curated solo artist commissions by Toyin Ojih Odutola (2020), Jamila Johnson-Small (2019), Yto Barrada (2018) and Bedwyr Williams (2016) and contributed to a number of major exhibitions, including Into the Night: Cabarets and Clubs in Modern Art (2019), Basquiat: Boom for Real (2017) and The World of Charles and Ray Eames (2015), editing and authoring publications for many of these projects. She previously worked at The Museum of Modern Art, New York, contributing to exhibitions focused on Jean Dubuffet, Ellen Gallagher, Paul Gauguin, Jasper Johns and Dieter Roth.
Dee Sada 